There are two major axes of relationship, that between the killer Leon Lai, his work partner Michelle Reis and the call girl Karen Mok , and between the mute boy Takeshi Kaneshiro and the heart-broken Charlie Yeung. A highly deterministic macro- atmosphere underlined the backdrop of this film. Leon worked as a hitman because he "doesn't have to make decisions". Who lives and who dies were pre-arranged for him by Michelle. He is an executioner, not an executive or a judge. Takeshi was mute since childhood from food poisoning. He likes to barge into closed stores at nighttime to assume the role of the boss. Many comedic moments resulted from his repetitive coincidences with his "customers", yet his illicit lifestyle also shows his passivity to engage in pre-determined, pre-existing business without his own idiosyncrasy and decisions. Charlie was a desperate girl seeking out this "blondie" girl whom she believed to have stolen her boyfriend from her. Unable to extricate herself from an unrequited relationship, Takeshi discerned that Charlie was still in love with her boyfriend after some years apart. Karen was a paroxysmal ex-con indulging in one-night stands with Leo. Her desire "to be remembered" speaks to a flawed self-image that hinges on external appraisal for self-salvation. Consider the release date of the film, one possible reading is that the suffocating urban life and air reflects the mood of the impending reversion of sovereignty to People's Republic of China in 1997. Insinuating the inability and futility to make decisions and life choices, FA seems to imply that the future of HK is as uncertain and vain as the fate of the actors in the film.
A slit of silver lining is projected in the end of the movie, where Leo finally understands that he has to make decisions for himself before it is too late. Takeshi made a decision not to chase after Charlie as he found out that Charlie did not recognize him at all. Finally, the camera portrayed a close-up of Michelle, widely known as probably the prettiest Ms. HK. Her icy cold mood and ruminating look contrasted the hustling environ in the tea restaurant. She ran into Takeshi, who offered to take her home on his motorbike. Racing through an underground tunnel with her hair fluttering in the wind, she held onto Takeshi, and she confessed
"I haven't ridden a motorcycle for a long time. Actually, I haven't been so close to a man for a while. The road isn't that long, and I know I'm getting off soon. But I'm feeling such warmth this very moment."Urban fairy tales are fairly transient, but realizing ephemerality does not stop Michelle from enjoying the very breathing moment with a strange man.
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